About the Prints

A Photographic Print is a beautiful thing!

Before purchasing a Print anywhere I highly recommend asking the artist for specifics about the paper and Inks they use. It can mean the difference between not only an image looking perfect but also having a lifespan of a few years or closer to 100 years.

 I choose to use beautiful Museum Archival Quality Papers for all my Prints. My prefered Papers are:

Canson Rag Photographique 310gsm and Canson Platine Fibre 310gsm depending on what I think will work best for any particular Image.

Canson Rag Photographique
Rag Photographique is a 100% cotton museum grade white Fine Art and photo paper. The exceptional smooth white tone is achieved during manufacturing by introducing natural minerals to the process. It has been developed to address the need for continued longevity requirements in the Digital Fine Art market. Rag Photographique offers a unique extra smooth surface with a sensual feel. It also provides one of the highest achievable Dmax currently available on the market, making it ideal for fine art photography Features & Benefits
• 100% Rag
• Water resistant
• No Optical Brightening Agents to ensure consistency of shades for generations
• Designed to meet galleries and museum longevity requirement sand respect the ISO 9706 standard: - Internally buffered to resist gas fading and maximise the conservation of your prints - Acid Free certified to avoid paper degradation

Canson Platine Fibre

Setting the benchmark for Digital Darkroom papers, Platine Fibre Rag provides the aesthetic and feel of the original F-Type Baryta Fibre paper, having a true pure white tone without using optical brighteners that are known to affect the longevity of digitally produced images. Platine Fibre Rag’s extremely high Dmax and exceptional grey tones make it the product of choice for the more discerning black and white as well as colour photographic prints. 
Features & Benefits
• 100% Cotton Rag Platine
• Compatible with pigmented and dye inks 
• Water resistant
• Pure white without optical brightening agents to ensure consistency of shades for generations
• Developed to meet gallery and museum longevity requirements and to respect the ISO 9706 standard : - Internally buffered to resist gas fading and maximise the conservation of your prints - Acid-free certified to avoid paper degradation

I love to print. It is the final and most satisfying step in the process.

I print all my work up to A2 Size using an Epson 3880 Professional Inkjet Printer with archival Inks and colour profiles specific to each Paper.
Master Printer Warren Macris of Hi-Res Digital in Sydney is my printer for larger and Exhibition Prints.